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<article article-type="research-article" dtd-version="1.2" xml:lang="en" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id journal-id-type="issn">2979-2762</journal-id>
<journal-title-group>
<journal-title>The Hythe Review</journal-title>
</journal-title-group>
<issn pub-type="epub">2979-2762</issn>
<publisher>
<publisher-name>Open Library of Humanities</publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id pub-id-type="doi">10.16995/thr.29424</article-id>
<article-categories>
<subj-group>
<subject>Poetry</subject>
</subj-group>
</article-categories>
<title-group>
<article-title>Two Poems</article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname>Rabah</surname>
<given-names>Nasser</given-names>
</name>
</contrib>
<contrib contrib-type="author" corresp="yes">
<name>
<surname>El-Tamami</surname>
<given-names>Wiam</given-names>
</name>
</contrib>
</contrib-group>
<pub-date publication-format="electronic" date-type="pub" iso-8601-date="2026-06-01">
<day>01</day>
<month>06</month>
<year>2026</year>
</pub-date>
<pub-date pub-type="collection">
<year>2026</year>
</pub-date>
<volume>1</volume>
<issue>1</issue>
<fpage>1</fpage>
<lpage>4</lpage>
<permissions>
<copyright-statement>Copyright: &#x00A9; 2026 The Author(s)</copyright-statement>
<copyright-year>2026</copyright-year>
<license license-type="open-access" xlink:href="http://creativecommons.org/licenses/by/4.0/">
<license-p>This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See <uri xlink:href="http://creativecommons.org/licenses/by/4.0/">http://creativecommons.org/licenses/by/4.0/</uri>.</license-p>
</license>
</permissions>
<self-uri xlink:href="https://www.openlibhums.org/thr/articles/10.16995/thr.29424/"/>
<abstract>
<p>Two poems by Nasser Rabah. Translated from the Arabic by Wiam El-Tamami.</p>
</abstract>
</article-meta>
</front>
<body>
<sec>
<title>Sing</title>
<verse-group>
<verse-line>When you wake up from</verse-line>
<verse-line>the war, sing. Let your voice</verse-line>
</verse-group>
<verse-group>
<verse-line>ring long and free, from day&#8217;s</verse-line>
<verse-line>break till its end. Like an eagle</verse-line>
</verse-group>
<verse-group>
<verse-line>tasting, for the first time,</verse-line>
<verse-line>the fallen crumbs of the sun.</verse-line>
</verse-group>
<verse-group>
<verse-line>Let it climb to the top</verse-line>
<verse-line>of the minaret, chasing</verse-line>
<verse-line>the angels. Sing</verse-line>
</verse-group>
<verse-group>
<verse-line>with the wisdom of</verse-line>
<verse-line>old women, with the salty</verse-line>
<verse-line>ramblings of the mad.</verse-line>
</verse-group>
<verse-group>
<verse-line>Musical as the wailing</verse-line>
<verse-line>of mothers at a funeral, tuneless</verse-line>
<verse-line>as the gibberish</verse-line>
</verse-group>
<verse-group>
<verse-line>of the tanks. Just sing.</verse-line>
<verse-line>Sing, so you&#8217;ll know how much</verse-line>
<verse-line>you&#8217;ve cried. How much absence</verse-line>
</verse-group>
<verse-group>
<verse-line>you&#8217;d tucked away in the pockets</verse-line>
<verse-line>of your silence. How many mirrors</verse-line>
<verse-line>you had broken to avoid</verse-line>
</verse-group>
<verse-group>
<verse-line>watching your soul dancing</verse-line>
<verse-line>on the shards. Sing so you will</verse-line>
<verse-line>know how many senses</verse-line>
</verse-group>
<verse-group>
<verse-line>you&#8217;ve lost. How many</verse-line>
<verse-line>prayers slipped between your</verse-line>
<verse-line>fingertips. Sing &#8212;</verse-line>
</verse-group>
<verse-group>
<verse-line>because they&#8217;re calling your name</verse-line>
<verse-line>now, and you are also out looking</verse-line>
<verse-line>for you. Sing so we can keep painting</verse-line>
</verse-group>
<verse-group>
<verse-line>our houses with song, our city</verse-line>
<verse-line>with children&#8217;s supplications. Sing,</verse-line>
<verse-line>for the war has left you</verse-line>
</verse-group>
<verse-group>
<verse-line>with nothing</verse-line>
<verse-line>but singing.</verse-line>
</verse-group>
</sec>
<sec>
<title>Heart Reader<xref ref-type="fn" rid="n1">*</xref></title>
<verse-group>
<verse-line>&#160;&#160;In absence, in</verse-line>
<verse-line>presence, You appear &#8212;</verse-line>
<verse-line>&#160;&#160;reading even the grass</verse-line>
<verse-line>in the wilderness of my silence,</verse-line>
<verse-line>&#160;&#160;and the name of the birds whose beaks</verse-line>
<verse-line>bloom open the pain in my heart. You hear me</verse-line>
<verse-line>&#160;&#160;in the drowsy stillness, behold my shadow</verse-line>
<verse-line>and my sun, bear witness as I rise and as I</verse-line>
<verse-line>&#160;&#160;break. You watch over the children, noisy</verse-line>
<verse-line>in their dreaming, over an eternal blue</verse-line>
<verse-line>&#160;&#160;raincloud hurtling behind hope.</verse-line>
<verse-line>How could it be <italic>no</italic>,</verse-line>
<verse-line>&#160;&#160;when my heart thrums with <italic>yes</italic></verse-line>
<verse-line>for You? How can I not be bursting</verse-line>
<verse-line>&#160;&#160;with gratitude &#8212; my voice</verse-line>
<verse-line>awash in tears as I overflow</verse-line>
<verse-line>&#160;&#160;with love for You? You,</verse-line>
<verse-line>who have created me</verse-line>
<verse-line>&#160;&#160;from nothing</verse-line>
</verse-group>
</sec>
</body>
<back>
<fn-group>
<fn id="n1"><p>* With thanks to Ammiel Alcalay for his input on this translation.</p></fn>
</fn-group>
<sec>
<title>Biographies</title>
<p><bold>Nasser Rabah</bold> is a Palestinian poet and novelist who lives in Gaza. He has published six poetry collections and two novels, and his work has been translated into several languages. <italic>Gaza: The Poem Said Its Piece</italic>, his debut collection in English translation, was published by City Lights in April 2025 and was on the <italic>The New York Times</italic> Best Poetry Books of the Year list. His work has also been featured in publications such as <italic>The New Yorker, Harper&#8217;s, Words Without Borders, Literary Hub, ArabLit, The Markaz Review, Poetry International, Harper&#8217;s</italic> and <italic>Poetry</italic> Magazine. He was a 2024 Jean-Jacques Rousseau fellow at the Akademie Schloss Solitude, Germany.</p>
<p><bold>Wiam El-Tamami</bold> is an Egyptian writer, literary translator, and editor whose work has been featured in publications such as <italic>The Paris Review, Granta, Ploughshares, Freeman&#8217;s, AGNI, Literary Hub, ArabLit</italic>, and <italic>The Common</italic>, as well as various anthologies, including <italic>Palestine is Everywhere</italic> (2025). She won the 2011 Harvill Secker Translation Prize and was a finalist for the 2023 Disquiet International Prize and the 2024 First Pages Prize. Her work also received a Pushcart Prize nomination in 2024 and was a runner-up for the 2025 Jules Chametzy Prize. She is an editor at large at <italic>The Avery Review</italic>. <ext-link ext-link-type="uri" xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://wiameltamami.com/">https://wiameltamami.com/</ext-link></p>
</sec>
<sec>
<title>Competing Interests</title>
<p>The author and translator have no competing interests to declare.</p>
</sec>
</back>
</article>