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<article article-type="research-article" dtd-version="1.2" xml:lang="en" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id journal-id-type="issn">2979-2762</journal-id>
<journal-title-group>
<journal-title>The Hythe Review</journal-title>
</journal-title-group>
<issn pub-type="epub">2979-2762</issn>
<publisher>
<publisher-name>Open Library of Humanities</publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id pub-id-type="doi">10.16995/thr.29427</article-id>
<article-categories>
<subj-group>
<subject>Poetry</subject>
</subj-group>
</article-categories>
<title-group>
<article-title>Excerpt from <italic>Bark, Archive, Splinter</italic></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname>Gao</surname>
<given-names>Jay</given-names>
</name>
<email>jaygying@gmail.com</email>
<xref ref-type="aff" rid="aff-1">1</xref>
</contrib>
</contrib-group>
<aff id="aff-1"><label>1</label>English and Comparative Literature, Columbia University</aff>
<pub-date publication-format="electronic" date-type="pub" iso-8601-date="2026-06-25">
<day>25</day>
<month>06</month>
<year>2026</year>
</pub-date>
<pub-date pub-type="collection">
<year>2026</year>
</pub-date>
<volume>1</volume>
<issue>1</issue>
<fpage>1</fpage>
<lpage>6</lpage>
<permissions>
<copyright-statement>Copyright: &#x00A9; 2026 The Author(s)</copyright-statement>
<copyright-year>2026</copyright-year>
<license license-type="open-access" xlink:href="http://creativecommons.org/licenses/by/4.0/">
<license-p>This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See <uri xlink:href="http://creativecommons.org/licenses/by/4.0/">http://creativecommons.org/licenses/by/4.0/</uri>.</license-p>
</license>
</permissions>
<self-uri xlink:href="https://www.openlibhums.org/thr/articles/10.16995/thr.29427/"/>
<abstract>
<p>An excerpt from Jay Gao&#8217;s <italic>Bark, Archive, Splinter</italic>.</p>
</abstract>
</article-meta>
</front>
<body>
<sec>
<title>Bark, Archive, Splinter</title>
<verse-group>
<verse-line>Bark, Archive, Splinter</verse-line>
</verse-group>
<verse-group>
<verse-line>Mutt of pine. Must each orange tick be painted and clear progress</verse-line>
</verse-group>
<verse-group>
<verse-line>&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;accumulation</verse-line>
</verse-group>
<verse-group>
<verse-line>Wherever the cloud-shepherd earth gives way for breeding ash, notanda, vellum,</verse-line>
<verse-line>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;drafting mistletoe, black sunlight, clearances, hidden life, marking corrupt</verse-line>
<verse-line>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;pastoral, vestigial colonies, and fog over glare over thistle over broom over brassica</verse-line>
<verse-line>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;over timbre over errata over kingdoms over. For the record</verse-line>
</verse-group>
<verse-group>
<verse-line>Missing witness trees as mass media</verse-line>
</verse-group>
<verse-group>
<verse-line>You select the same sequence of strange encounters over. A uniform lyric expression</verse-line>
</verse-group>
<verse-group>
<verse-line>Even up there, remaindered in the almanac of what is said to be untranslatable, liquid</verse-line>
<verse-line>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;speech egresses</verse-line>
</verse-group>
<verse-group>
<verse-line>Ambient river of phantom canopies: leftover body of work</verse-line>
</verse-group>
<verse-group>
<verse-line>&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;holes</verse-line>
</verse-group>
<verse-group>
<verse-line>Diasporic hunger to metabolise all this minted nature</verse-line>
</verse-group>
<verse-group>
<verse-line>So you pinch these lines and databases from a world rewilded. Promise to recoup spent wonder</verse-line>
</verse-group>
<verse-group>
<verse-line>Mustering diction in the interest of the non-human</verse-line>
</verse-group>
<verse-group>
<verse-line>To roster a higher rank of wilted sleep. Refuse to register the excess of your rounded mutter</verse-line>
</verse-group>
<verse-group>
<verse-line>&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;ledger</verse-line>
</verse-group>
</sec>
<sec>
<title>Bark, Archive, Splinter</title>
<verse-group>
<verse-line>Bark, archive, splinter</verse-line>
</verse-group>
<verse-group>
<verse-line>Following pandemics of ink disease and voyages in reverse, can wordhoard be both</verse-line>
<verse-line>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;measure and buffer</verse-line>
</verse-group>
<verse-group>
<verse-line>Inline with fluctuating numbers along critical food chains</verse-line>
</verse-group>
<verse-group>
<verse-line>Your remit is to forge the full stress of globally lavish adjectives</verse-line>
</verse-group>
<verse-group>
<verse-line>To get close to the subject. His subject</verse-line>
</verse-group>
<verse-group>
<verse-line>Trespassing past headstones towards the willow, the thorn, the poplar, the plane, the</verse-line>
<verse-line>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;oak, the maple, the linden, the laurel, the holm, the hazel, the fir, the elm, the</verse-line>
<verse-line>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;dogwood, the chestnut, the box, the birch, the beech, the aspen, the ash, the alder,</verse-line>
<verse-line>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;and the</verse-line>
</verse-group>
<verse-group>
<verse-line>Absent addressee. Assembling a defence for the organic in the shade of poisonous yews</verse-line>
</verse-group>
<verse-group>
<verse-line>The second person must be plural. Fingering its arils, you discover yew trees inhibit the</verse-line>
<verse-line>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;viable decoding of these groves &#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;</verse-line>
<verse-line>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;graves</verse-line>
</verse-group>
<verse-group>
<verse-line>After persistent amassment, after magnifying broadcasts, those underground</verse-line>
<verse-line>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;thresholds may have turned toxic</verse-line>
</verse-group>
<verse-group>
<verse-line>You are searching for your single artefact</verse-line>
</verse-group>
<verse-group>
<verse-line>The conversion. To be handled with gloves, to protect against splintering, to</verse-line>
<verse-line>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;communicate. With others</verse-line>
</verse-group>
<verse-group>
<verse-line>The eye is sometimes borrowed sometimes</verse-line>
</verse-group>
<verse-group>
<verse-line>Someone else&#8217;s pain</verse-line>
</verse-group>
</sec>
<sec>
<title>Bark, Archive, Splinter</title>
<verse-group>
<verse-line>Bark, archive, splinter</verse-line>
</verse-group>
<verse-group>
<verse-line>As an order. Not a note</verse-line>
</verse-group>
<verse-group>
<verse-line>Say your face was bleeding, or that you were always right behind him</verse-line>
</verse-group>
<verse-group>
<verse-line>Say you were tenderriven out of your limits, or that you lay outwith the reach of</verse-line>
<verse-line>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;his orchardside &#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;&#9472;</verse-line>
<verse-line>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#9472;&#9472;oversight</verse-line>
</verse-group>
<verse-group>
<verse-line>Say ten hundred infantry vanish in the cover. Of an underpass, or that the dule trees</verse-line>
<verse-line>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;ahead of the barracks, not knowing what they are yet, not knowing that they are</verse-line>
<verse-line>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;dead yet, they wait to wail, they weep to waste sap, to reverb and recycle lonely</verse-line>
<verse-line>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;parts of speech. Yes</verse-line>
</verse-group>
<verse-group>
<verse-line>Wake up! Firs, even in the company of fruiting trees, do they know why they lack the</verse-line>
<verse-line>&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;flesh that makes ancient grammar friable</verse-line>
</verse-group>
<verse-group>
<verse-line>A bed of moss in each foreign territory. Carapace of thrashing tormentil</verse-line>
</verse-group>
<verse-group>
<verse-line>No sir</verse-line>
</verse-group>
<verse-group>
<verse-line>Sorry sir</verse-line>
</verse-group>
</sec>
</body>
<back>
<sec>
<title>Biography</title>
<p>Jay Gao is a poet from Edinburgh, Scotland, living in New York City. His second poetry collection <italic>The Dead One, The Unconscious One, Thundering in Your Ear, Thriving Slumber</italic> is forthcoming in Fall 2026 from Nightboat Books and Carcanet Press. His debut collection <ext-link ext-link-type="uri" xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://www.jay-gao.com/imperium"><italic>Imperium</italic></ext-link> (Carcanet, 2022) was a winner of the 2023 Michael Murphy Memorial Prize, an Eric Gregory Award and a Somerset Maugham Award. Currently, he is a PhD candidate in English and Comparative Literature at Columbia University.</p>
</sec>
<sec>
<title>Competing Interests</title>
<p>The author has no competing interests to declare.</p>
</sec>
</back>
</article>