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<front>
<journal-meta>
<journal-id journal-id-type="issn">2979-2762</journal-id>
<journal-title-group>
<journal-title>The Hythe Review</journal-title>
</journal-title-group>
<issn pub-type="epub">2979-2762</issn>
<publisher>
<publisher-name>Open Library of Humanities</publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id pub-id-type="doi">10.16995/thr.29432</article-id>
<article-categories>
<subj-group>
<subject>Poetry</subject>
</subj-group>
</article-categories>
<title-group>
<article-title>Will the bullet-</article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname>Juxun</surname>
<given-names>Sumia</given-names>
</name>
<email>sumiajaama@gmail.com</email>
</contrib>
</contrib-group>
<pub-date publication-format="electronic" date-type="pub" iso-8601-date="2026-06-02">
<day>02</day>
<month>06</month>
<year>2026</year>
</pub-date>
<pub-date pub-type="collection">
<year>2026</year>
</pub-date>
<volume>1</volume>
<issue>1</issue>
<fpage>1</fpage>
<lpage>3</lpage>
<permissions>
<copyright-statement>Copyright: &#x00A9; 2026 The Author(s)</copyright-statement>
<copyright-year>2026</copyright-year>
<license license-type="open-access" xlink:href="http://creativecommons.org/licenses/by/4.0/">
<license-p>This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See <uri xlink:href="http://creativecommons.org/licenses/by/4.0/">http://creativecommons.org/licenses/by/4.0/</uri>.</license-p>
</license>
</permissions>
<self-uri xlink:href="https://www.openlibhums.org/thr/articles/10.16995/thr.29432/"/>
<abstract>
<p>A new poem by Sumia Juxun.</p>
</abstract>
</article-meta>
</front>
<body>
<p><italic>after Lena Khalaf Tuffaha</italic></p>
<verse-group>
<verse-line>Will the bullet wake up in its chamber this morning?</verse-line>
<verse-line>Will the bullet turn on the kettle, choose between black tea or coffee?</verse-line>
<verse-line>Will the bullet map out its journey or wander off meandering?</verse-line>
<verse-line>Will the bullet wear a raincoat or take an umbrella?</verse-line>
<verse-line>Will the bullet stop at the traffic light or the checkpoint?</verse-line>
<verse-line>Will the bullet queue up at the grocery store or the food line?</verse-line>
<verse-line>Will the bullet return to sit in its chamber?</verse-line>
<verse-line>Will the bullet turn on the TV, choose between a news channel or Netflix?</verse-line>
<verse-line>Will the bullet recognise the boy?</verse-line>
<verse-line>Will the bullet recognise the side of his skull?</verse-line>
<verse-line>Will the bullet remember the dream?</verse-line>
<verse-line>Will the bullet bend?</verse-line>
<verse-line>Will the bullet bend?</verse-line>
</verse-group>
</body>
<back>
<sec>
<title>Biography</title>
<p>Sumia Juxun is an elder sister, poet, and educator based between London, UK and Tkaronto, Canada. A Barbican Young Poet alumna and current writer-in-session at Toronto Reference Library&#8217;s Writers&#8217; Room, her interdisciplinary practice explores rituals of departure, grief and gathering as a way of coming back to ourselves and to each other.</p>
<p>Juxun is a contributor to <italic><ext-link ext-link-type="uri" xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://2020.gessnerallee.ch/en/event/1529/Rituals_for_Imagining_Otherwise">Poetics of Refusal</ext-link>, <ext-link ext-link-type="uri" xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://2020.gessnerallee.ch/en/event/1529/Rituals_for_Imagining_Otherwise">Vocal Opacities</ext-link>, <ext-link ext-link-type="uri" xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://www.instagram.com/yumna.to.be/?igshid=YmMyMTA2M2Y%3D">YUMNA</ext-link></italic> and <italic><ext-link ext-link-type="uri" xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://framerframed.nl/en/exposities/anarchist-citizenship/">The Anarchist Citizenship: People Made of Stories</ext-link></italic> among other collaborations. Her poems have recently appeared in <italic><ext-link ext-link-type="uri" xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://griefstudieszine.framer.website/">Grief Studies Zine</ext-link></italic> and <italic><ext-link ext-link-type="uri" xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://choisi.info/products/unveiling">Unveiling</ext-link></italic>, and has been shortlisted for the <italic>Creative Future Writers&#8217; Award 2024</italic>, The <italic><ext-link ext-link-type="uri" xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://www.thewhitereview.org/poetry/passport-as-freedom-papers-i/">White Review Poet&#8217;s Prize 2022</ext-link></italic>, and won the <italic>FourHubs Poetry Prize</italic> 2019.</p>
<p>She has been invited to residencies at Hedgebrook and Banff Centre for Arts and Creativity, and concluded her role as Research Lecturer in Rotterdam by further developing <italic><ext-link ext-link-type="uri" xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://www.wdka.nl/research/cycles-of-return-poetics-as-methodology-for-imagination-movement-and-waywardness">Cycles of Return: Poetics as a Methodology for Imagination, Movement and Waywardness</ext-link></italic> shaped by the works of Saidiya Hartman, Joy James, June Jordan, Christina Sharpe, Victoria Adukwei Bulley and Aracelis Girmay to name a few. This work is an extension of the work she developed with <ext-link ext-link-type="uri" xmlns:xlink="http://www.w3.org/1999/xlink" xlink:href="https://linktr.ee/projectsawti">Project Sawti</ext-link>, exploring poetry as preservation, how longstanding oral traditions and collective storytelling serve as living archives of memory and transformation.</p>
</sec>
<sec>
<title>Competing Interests</title>
<p>The author has no competing interests to declare.</p>
</sec>
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